When I was in junior high school I had an English teacher who stood out from all the rest. Mr. Whitmer is probably long dead by now so I’ll never get a chance to thank him in person, but not only did he make the subject come alive, he was the first teacher who gave me the confidence to think that I could be a writer.
It was in his class that I developed a love of Robert Service’s poetry. His was poetry to be read out loud, and Mr. Whitmer obliged, possibly satisfying a frustrated dream to be an actor. He read The Ballad of Sam McGee with a drama that I remember to this day. I have several volumes of Service’s work sitting on my bookshelf. It may not be up to Shakespearian standards of excellence, but it certainly captures the mood and spirit of his subject matter.
I started out writing poetry. I turned out poem after poem, searching through the rhyming section of the dictionary when I got stuck for a word. I kept this up through high school, college, and beyond, though I was not quite as prolific as I was in junior high. Eventually I even thought some of my poems were good enough to be sent off for publication, so I submitted them to all the large circulation magazines which were still publishing poetry and to many of the small literary magazines printed on a mimeograph machine in someone’s basement. Some of my poems have been published, though none in the big magazines, and all paid solely with copies of the magazines.
I also wrote several short stories, including one for a creative writing class in college. The piece for the class actually won second place in the college creative writing contest and was published in one of the college’s publications, though I never got a chance to see it because I had to drop out of college after the semester of that writing class.
I’ve always felt awkward writing fiction. It has always felt strange to put words into characters’ mouths, and the dialogue has never sounded quite natural to me. It’s been some time since I had the urge to write fiction, but lately I’ve been reading a book by Steven King – On Writing: A Memoir of the Craft – and he’s got me thinking about giving it a try again. With all these years under my belt I feel a bit more confident that I might be able to create a world of fiction – dialogue and all – that might seem plausible.
Of course, as soon as I consider the idea I hear, “What the hell is wrong with you? Do you really think that you could stick to something like that? Doesn’t King say that you have to commit to writing a certain number of words a day? Do you really think you would do that? And if you really wanted to write, wouldn’t you have been doing it all these years? Not to mention, you’re not a people person, so how the hell do you think you can write about people?” Man, my muse is a real bitch.
All those questions are good, valid questions . . . unfortunately. But, hey, what have I got to lose? There have been plenty of writers who started their careers late in their lives. Why can’t I be one? And while King is a writer who knows his writing, and has actually taught it in a classroom, it doesn’t mean that all his rules apply hard and fast to every writer (though one would be foolish to disregard them entirely). I wear big-boy pants now and can make up my own rules, and pay the price, too, if I don’t follow them. Again, what have I got to lose? If I give up in the end, at least I tried.
Hmmm, where to begin, let’s see . . .
Once upon a time, in a galaxy far, far away . . .